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TYPE FOUNDRY · SPECIMEN Nº 07

A serif family cut for screens that refuse to sit still — fourteen styles, three optical sizes, and a specimen that answers your cursor.

EST. 2019 · ROTTERDAM, NL 51.9244° N, 4.4777° E

THE FAMILY

One serif, cut fourteen ways.

Every cell below is set in the family itself. Move your cursor across the grid — the light follows you.

VESPER DISPLAY700 · DISPLAY SIZE

Sphinx of black quartz, judge my vow — nine ligatures deep and still sharp at 8 px.

TYPE TESTER · LIVEEDIT ME
Motion is meaning.
VESPER MONO400 · TABULAR

font-variant-numeric: tabular-nums;
0123456789 → 0123456789
{ axes: [ "opsz", "wght", "ital" ] }

OPTICAL SIZES16 / 44 / 96

Cranked contrast at text sizes, opened apertures at display.

CHARACTER SETLATIN EXT.

1,042 glyphs, drawn three times — once per optical size.

VESPER ITALIC400 · SWASH

Cut on a steep slant, with terminals that finish the sentence for you.

THE STUDIO

Slow craft for fast pages.

Founded
2019
Studio
Rotterdam, NL
Principals
J. Verhoeven · M. Okafor
Method
Every kern by hand

We started Oblique because screens learned to move before typography did. Vesper is our answer: a serif drawn at three optical sizes and tuned so that even a four-hundred-millisecond transition has something beautiful to say. Every curve was argued over. Every kern was placed by hand. Motion is not decoration here — it is the sentence, being spoken.

The family in numbers

THE FAMILY IN NUMBERS

14

styles across seven weights, roman and italic.

3

optical sizes, from 8 px footnotes to 300 px titles.

91

languages covered by the Latin Extended character set.